Best Movies of 2020 (So Far)
2020’s been a year of limitless upheaval, and yet the show must go on. The movies have been made, their stories yearning to seek an audience, whether through a traditional theatrical route or through more creative streaming means as studios indie and major have experimented with these past months. However they’re getting delivered to you, we’re now ranking the best movies of 2020 by Tomatometer, all Certified Fresh!
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With Tenet now officially opening in the United States on September 3 (in what will no doubt be very limited release), the 2020 summer movie season is officially over before it began—a sad situation brought about by the coronavirus and numerous states’ inability to reopen their economies (and thus movie theaters) in a safe and responsible manner. Still, as we roll into August, excellent movies continue to see the light of day, even if it is via VOD rather than in theaters. In the past month, cinephiles have been blessed with excellent fiction and non-fiction features from here and abroad, reconfirming that despite our new COVID-19-created distribution paradigm, there remains a steady stream (pun intended) of great offerings for audiences of all tastes. To date, these are our picks for the year’s best.
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THE LODGE (2020)
Critics Consensus: Led by an impressive Riley Keough performance, The Lodge should prove a suitably unsettling destination for fans of darkly atmospheric horror.
Synopsis: A bone-chilling nightmare from the directors of GOODNIGHT MOMMY, THE LODGE follows a family who retreat to their remote winter.
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SUMMERLAND (2020)
Critics Consensus: In Summerland, the living is a little too easy to raise dramatic stakes -- but Gemma Arterton's performance adds some much-needed extra heat.
Synopsis: Alice is a reclusive writer, resigned to a solitary life on the seaside cliffs of Southern England while World War.
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THE WRETCHED (2020)
Critics Consensus: The Wretched stirs up a savory blend of witch-in-the-woods horror ingredients that should leave genre fans hungry for a second helping from writer-directors Brett and Drew T. Pierce.
Synopsis: Following his parents' separation, a rebellious teenage boy, Ben, is sent to live with his father for the summer and.
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All I Can Say.
Shannon Hoon died much too young when, on October 21, 1995, the 28-year-old Blind Melon singer suffered a fatal drug overdose on his tour bus. During the five years before that calamity, the vocalist diligently recorded his life, from humble, trouble-wracked days in his native Indiana, to Los Angeles recording studios with Guns ‘N’ Roses, to the road with his alternative rock band, which eventually hit it big with the ubiquitous “No Rain.”
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First Cow.
Few directors are as attentive to the rhythms of nature – human and otherwise – as Kelly Reichardt, and the filmmaker’s formidable skill at evoking a sense of place, thought, emotion and motivation is on breathtaking display in First Cow. Adapted from Jonathan Raymond’s novel The Half Life, Reichardt’s slow-burn drama focuses on a nomadic 1820s chef named Cookie (John Magaro) who,
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after arriving at a Pacific Northwest fort, befriends and goes into business with on-the-run Chinese loner King Lu (Orion Lee), baking and selling popular “oily cakes” made with milk stolen from a dairy cow owned by wealthy Chief Factor (Toby Jones).
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Cookie and King Lu’s attempt to rise above their socio-economic station through a criminal scheme, and the potential disaster that awaits them, is the suspenseful heart of this tranquil quasi-thriller, which – awash in redolent faces, gestures and customs – imparts an understated impression of the forces propelling its characters, and the pioneering nation, forward. Framing characters amidst forest greenery or through constricting cabin windows, and setting its action to the serene sounds of its rural environment – snapping twigs, chirping birds, running water, human breath – it’s an empathetic vision of profound male friendship and perilous capitalist enterprise.
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We’re seven months into 2020, and despite the pandemic circumstances still throwing life as we know it upside down, the movies persist. Well, some of them. The theaters might still be closed in many states, but a small crop of films headed straight for digital or streaming releases (sometimes earlier than expected) have made their way into our quarantines over the last month. From a Charlize Theron-starring action flick from Love & Basketball director Gina Prince-Bythewood to a retro sci-fi film on Amazon Prime (The Vast of Night) to a mesmerizing portrait of a teen queen bee (Selah and the Spades), here are the best movies Vulture has seen and (for the most part) reviewed so far, according to critics Angelica Jade Bastién, Bilge Ebiri, David Edelstein, and Alison Willmore.
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(A reminder about methodology: This list is restricted to films that have had their first official release in 2020 — so no Portrait of a Lady on Fire, which had a brief run in 2019 — and we will continue to update it throughout the year.)
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